Who is this small live wire guy up on the stage, almost one size with his
instruments, who is dancing to his own solo in front of the congas, behind
them and on top of them, bringing them to sing in voices no other conga
player is able to create, luring them to tell tales full of melodies and
poignancy, seducing them, and all the time displaying facial mimics neither
Jerry Lewis nor Fernandel equal?
The man is Carlos 'Patato' Valdes, born in Cuba in 1926, living in
New York City since 1954. Not only Tito Puente calls his "the
greatest conguero alive today."
What else do we know from this man, except that he taught Brigitte Bardot
successfully how to dance a true cha-cha-cha in the French movie "And
God Created Woman"?
Patato is not as famous as is, for example, Mongo Santamaria, since until
now he has never published records under his own name, but he is more
influential than any other conguero, based on the fact that he
invented the tunable conga, a revolutionary step in music history and the
most natural thing for today's players: Formerly, the traditional conga
consisted in a wooden body with a nailed-on drum skin. It used to be tuned
by holding a candle beneath the skin, but results were not very satisfactory
as the tension of the drum skin slackened as soon as the skin cooled down
again. It was Patato's idea to fix the skin to a metal ring which, connected
a various points with the conga body, could be stretched and loosened with
the help of a square box wrench, thus enabling the musician to tune his
instrument to specific pitches. Consequently, it was now possible to hit
each half step of an octave playing on only one complete set of three
congas. This was the birth of modern conga playing, initiated by Patato's
unique melodic style of employing multiple conga drums and using them as a
melody-creating instrument, just as a piano player or a horn player would.
The virtuosity and popularity of music enabled by the congas' entering pop
and rock music is so far a part of history.
Patato had his invention patented, the company Latin Percussion Inc.
manufactured the instrument. Latin Percussion's "Patato Model"
is the top star of their product family. Patato's conga type is now used by
hundreds of groups from Santana to the Rolling Stones, and by a lot of
well-known congueros, many of them being his students in former times.
Since the 1950s Patato is among the congueros that are in highest demand
in the Latin Music and jazz world. He played, toured and recorded together
with singer Miguelito Valdes, Perez Prado, Beny More, 'Cachao' Lopez, with
Tito Puento, Machito, Herbie Mann, Kenny Dorham, Cal Tjader, Art Blakey,
Elvin Jones and other, also with Dizzy Gillespie and Quincy
Jones, accompanying both on extended tours throughout Europe, and with
the late Mario Bauza. Patato acted in and composed the title song of
the Bill Cosby Show. In 1991 he contributed with others to the movie
soundtrack of "The Mambo Kings Play Songs of Love". Patato
is the leader of his own band 'Afrojazzia', which toured Europe in
the spring of 1994 for the first time ever.
Carlos' congas: LP Patato Congas
